I started acquiring knowledge of acoustic guitars - any lessons I could get my hands on helped me connect the dots and piece together an understanding of how instruments work, how sound travels through wood and wire and out into open air. There was an inherent difference in regards to the shape and sound of my guitar versus that of, say, the guitar Neil Young played, or Bob Dylan, or John Denver. A lot of this was subconscious for much of my adolescence, but by the time I reached my teenage years, I came to realize that no matter how hard I tried, I could not get my own instruments to sound like the records I loved. I quickly learned that while I couldn’t apply such lessons to my own visual abilities, I could hear those nuances in sound, specifically in the resonance of an acoustic guitar. Jack: My fascination with guitars stems back to some of my earliest conscious memories. My mother was a painter, and she and I used to spend a lot of time looking at visual art together. She used to teach art history and had an extensive knowledge of the making of paintings. A lot of those lessons stuck with me, how to read into a work of art and see texture, shape, color, definition, space, the nuances of artistic intentionality. Tell us a little about how your fascination over fretted instruments began and how relationships you formed during that stint at Gruhn started this current musical journey you’ve been on, both on the road and in the studio. Best Be on My Way is out now.ĪnaLee: You’ve been wearing a lot of hats lately, and I don’t mean the Stetson variety, although those are cool, I’m talking about bouncing between playing acoustic guitar in Vince Gill’s band, writing and then co-producing your debut full length album, Best Be on My Way and taking care of your guitar collection! Let’s start back in your high school days when you started coming to Nashville and ended up working at Gruhn Guitars. Listen for more tracks on upcoming Local Brew Hour shows and tune in to 89.5 WMOT tomorrow at 6:30am or 6:30pm to hear, “Josephine” on the Daily Local Brew. Schneider fills us in today on his journey, and the making of his debut album at Nashville’s legendary Sound Emporium studio with established Nashville musicians as well as a couple of recent college grads. In 2019, he graduated from NYU’s Clive Davis Institute of Recorded Music and promptly joined Vince Gill’s touring band. Born in New York, Schneider grew up in Georgia, picked up the guitar at three years old and started making trips to Nashville in high school. The city isn’t all that new to him though. A guitar slinger, singer, songwriter, producer, guitar collector and tape machine enthusiast, newcomer Jack Schneider has packed a lot of living into his new found home in Nashville.
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